Linseed on linen
Prior to the introduction of plastics, fabric was rendered water-resistant by a few different means. The simplest method is to weave the material extremely tightly, packing the yarn close together to close up any spaces within the weave. Another option is to rub the finished garment with an oily substance to repel any water. Lanolin, the greasy material found on sheep’s wool, is the obvious choice here - we can use it to do the same as it does for them, protect them from the elements. A third option is to melt wax into the material. While these method are certainly useful they fall short of providing a truly impermeable finish. For that we require the assistance of a plant with remarkable properties.
Linseed on linen
Oil-painters have made use of this property, binding coloured pigments into oil and laying them on top of one another, layer by layer. In my experiments however the oil - and the pigment carried by it - is set into the fibres of the fabric itself rather than sitting on the surface. In this case the pigment is ‘vine black', a substance made by finely grinding scorched vines. The pigment acts to fill the holes within the warp and weft of the material. As the linseed oil ‘cures’ it locks the pigment safely away into the structure of the material and leaves a protective waterproof finish.
There is something satisfyingly circular in using a plant’s oil to preserve a cloth made from the fibres of the very same species.